“……爱情、事业、工作这三大诱惑和改变我们生活的力量……”

——谭根雄《放飞的鹞子》

图形写作

2019/03/07--2019/03/16

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               “执念”Fixation 

潜意识或无意识是人的本能意识之一种，或曰第六感官，常常伴随人的始终，往往在特定的情况下影响并制约人的行动。弗洛伊德的“创作家与白日梦”虽然直白地将艺术家的创作等同于白日梦，但后者确也是潜意识的存在。艺术家的创作有时就是在对梦境的回味中细细咀嚼而成。荣格的集体无意识将白日梦又往更广泛的集体层面推进，是潜意识在一个群体中的表达。艺术家因此成了集体的言说者，艺术因而也成为集体认同的一种重要呈现方式。

艺术因此表征了人的精神面貌，时代境况，乃至历史事实，创作者在呈现自己的作品时也许会自觉地灌注个人、时代、社会、历史等各种因素。尽管艺术是艺术家自我的言说，言说可能也从个体角度开始，但艺术指向的绝不仅仅是艺术家本人。艺术家的言说提供了一个开局，言说这种行为因为艺术而被持续下去。

本次展出的是我在攻读研究生期间的几组作品。这些作品中不仅是我个人潜意识的自然流露，更是自我认同形成的表征。展出的主题是“执念”(fixation)，力图不以任何复杂形式的文字，仅以画面图像自身言说的方式呈现。我们的自我只是千万之中的一个个体，在关注自己生存状态的同时，用自己的艺术言说方式予以记录。

为何人们会有如此之深的执念?

值此展出之际，感谢我导师谭教授的悉心教导！

Subconsciousness or unconsciousness is a kind of instinctive consciousness of human beings, or a sixth sense, often accompanied by human beings, often affecting and restricting human actions under certain circumstances. Although Freud's "creator and daydreaming" directly equates the artist's creation with daydreaming, the latter is also a subconscious existence. The artist's creation is sometimes chewed in the aftertaste of the dream. Jung's collective unconsciousness pushes daydreaming to a broader collective level, which is the expression of the subconscious mind in a group. The artist has thus become a collective speaker, and art has thus become an important representation of collective identity.

Art thus represents the human face, the situation of the times, and even historical facts. The creators may consciously infuse individuals, times, society, history and other factors in presenting their works. Although art is the artist's self-speaking, speech may also start from an individual perspective, but art is more than just the artist himself. The artist's speech provided a beginning, saying that this behavior was continued because of art.

This exhibition is a collection of works that I was studying during my graduate studies. These works are not only the natural revealing of my personal subconscious, but also the representation of self-identity. The theme of the exhibition is “fixation”, which is intended to be presented in a way that is not in any complicated form, but only in the form of the image itself. Our self is just one of the thousands of individuals who, while paying attention to their own state of existence, record in a unique way of artistic expression.

Why do people have such deep obsessions?

On the occasion of this exhibition, I would like to thank my teacher, Professor Tan, for his careful guidance!

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胡亚兰《对面-facing》120cmx180cm  2017年   油画 

胡亚兰《攀岩-climbing》180cmx120cm  2017年   油画 

胡亚兰《挣扎-struggling》180cmx120cm  2017年   油画 

胡亚兰《瘤-tumour》180cmx120cm  2018年   油画 

胡亚兰《犹疑-irresolution》120cmx180cm 2018年 油画

胡亚兰《七界-the seventh boundary》100cmx100cm 2019年  油画  

胡亚兰《迹-tracing》180cmx68cm  2018年   油画 

胡亚兰《生-newbirth》100cmx100cm  2018年   油画 

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胡亚兰《吴泾小镇》50cmx60cm  2018年   油画 

胡亚兰《雨天》40cmx50cm  2018年   油画 

胡亚兰《院子》40cmx50cm  2018年   油画 

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